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When Trax Records releases a project, history is never just a reference point — it becomes part of the sound itself. With “Funkdified (The Remixes)”, released last November, the legendary Chicago label delivers a powerful dialogue between funk’s origins and contemporary house culture. At the center of this conversation stands Leigh Macneil, whose contributions define much of the project’s underground energy and dancefloor impact.
The source material is iconic: George Clinton, the unmistakable voice and mind behind Parliament-Funkadelic, joined by Screamin’ Rachael, Trax Records’ visionary frontwoman. Rather than preserving the original in amber, this remix package pushes it forward — and Leigh Macneil is one of the key artists translating funk’s DNA into modern club language.

Based in Dallas, Texas, Leigh Macneil has built a reputation for raw, no-compromise house music designed for real dancefloors. His sound draws heavily from the jackin’ Chicago house tradition, delivered with stripped-back arrangements, tough drum programming, and basslines that prioritize movement over decoration.
Far from being a newcomer, Leigh’s relationship with Trax Records feels organic. His productions reflect the label’s core values: functionality, attitude, and an unwavering connection to the underground. On Funkdified (The Remixes), he delivers some of the most defining moments of the release.

Alongside Leigh’s work, the release features remixes by D BEAT & TWOEF, Zewmob featuring Screamin’ Rachael, and the RB vs GC Edit, each adding a distinct perspective.
Listen to him on Friday 13th February as a guest on “Crop Calls Dj” at 8pm Cet exclusively on Crop Of Music Radio






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